Expectation and Fulfillment in Dramaland

Yes, I know it's been three weeks since we've blogged. You can blame a combination of hiding out in a cabin in the mountains for a week, having to work extra to make up for hiding out in a cabin for a week, and then just feeling like I wanted to vegetate and watch dramas instead of writing about them. But now I'm back in a writing mood, so look forward to more consistent posts!

In all of my vegetative drama watching, I've developed kind of a bad habit. I used to be a pretty strict one-drama-at-a-time kind of girl. Maaaaaybe two dramas if they were airing simultaneously. Over the last couple of months, however, I keep starting new dramas, getting to the last three to five episodes, and then putting them on the back burner for a new drama.

Part of the problem is that I'm woefully behind on reviews, so I don't want to finish more dramas before I review the old ones, but that's just a big fatty excuse because the truth is that I love drama beginnings. I love the excitement of a new drama. I love the suspense that builds to the moment of romance shared and feelings expressed.

This obsession with beginnings has made me think about what it is that compels viewers to watch (and love) entire dramas. I think a lot of it comes down to the balance between expectation and fulfillment in the drama structure.


The best writers build a sense of expectation at the front end of dramas. They give us little moments of partial fulfillment throughout the first few episodes, pushing us to keep clicking the "next episode" button in hopes of getting more. And more. And more.

The problem with expectation is that you can't put it off forever. If you only give your viewers little breadcrumbs for too many episodes, they will eventually feel bored and move elsewhere. For me, this was one of the big problems with Heirs. I think we all kept hoping that interesting things would happen, but nothing ever did. It was just the same love triangle standoff at the end of nearly every episode, and it eventually got dull.

Similarly, one of the fastest ways to infuriate viewers is to build infinite expectation without an equal payout at the end. If you're going to put off viewer fulfillment for a full twenty episodes, you'd better be a screenwriting genius and give us an entire episode that is twenty episodes worth of satisfaction. If you give us a handshake at the end of it all, we're gonna start throwing things at our televisions and inventing new profanities to express just how cheated we feel.

Not to name names, but....
You know who you are. Now go in a corner and think about what you did.

Sometimes, drama writers want to play with expectations, and that's okay. It's refreshing when the second lead suddenly turns into the first lead or when a clever twist pushes viewers to think. But even if you toss in a twist, it needs to have some hint of expectation. We want the second lead to get the girl, but it has to feel earned. We want to know that she's going to be happy with her choice. That's why the ending of Marry Him If You Dare was so infuriating. The show focused so heavily on building romantic expectations that refusing to fulfill that expectation made the entire series feel somewhat hollow. I would have been okay with a series about her personal journey and individual development if the every episode hadn't shouted "WHICH MAN WILL SHE CHOOSE???"

"No, no, we meant for it to be a searing statement on women and romance! That's why we spent the whole series building a tedious, endless love triangle! We swear!"

At the other end of the spectrum, you have dramas that are great at building tension for the first half of the series, but they fulfill the expectation too early, leaving empty space for the second half of the series. It's pretty typical to have the leads first kiss somewhere between episodes 7 and 12, which is a great gift to keep viewers invested. The problem is that many writers seem genuinely baffled after the big kiss. They spend the rest of the series scrambling to come up with appropriate romantic hurdles, but we all know they're just killing time to the inevitable finale. Does anyone actually get excited when a drama moves into the noble idiocy/birth secret/corporate shenanigans phase of the show?

This is one reason why I'm a pretty strong advocate of the 16-episode series for most shows. Series extensions are one of the biggest enemies to narrative tension. I have seen only a handful of shows where the episode extension was okay (and only because I loved those shows), and I'm not entirely convinced that I have seen any shows where it was a narrative necessity. Even shows that feel rushed in the last five minutes could have avoided trouble with better pacing in the middle sections. Wait, I take that back. The extension for Queen of Reversals allowed it develop a satisfying, if unexpected, ending, so that one is the exception that proves the rule.

Maybe it's just because it was my first drama, but a good example of the balance between expectation and fulfillment has got to be Coffee Prince. As I watched, one of the things that enthralled me was how many heartfelt, meaningful moments it had sprinkled throughout the show. Unlike American romcom movies that ended after the big confession, Coffee Prince kept giving, and that's why I kept watching. It's proof that you don't need seven rounds of amnesia to keep people involved. With smart pacing, characters we can care about, and obstacles based in reality, shows can keep viewers engaged and satisfied.

One of the things that keeps me so engaged with You Are All Surrounded (aside from my love of action comedies) is the way that it builds expectation. With both the central mystery and the romance, the first ten episodes gave us enough hints to string us along. Episodes 11 and 12 get a pass because Lee Seung Gi's eye injury probably altered some of the script plans, but I keep hoping that the show will fulfill my expectations. It's getting to that stage in the series where the romance needs to start moving if it's going to keep my interest, and there's an opportunity for an engaging mystery as well.

In episode 12, we finally get a scene where Soo Sun starts to recognize Dae Gu as more than a little brother or a detective partner, but I have to admit that the reliance on the old rescue hug left me wanting more. Here's hoping episode 13 starts to move towards the fulfillment end of the spectrum!

Balance in the K-drama Relationship

No, today's post isn't going to be me getting onto my soapbox again about how much I love strong female leads. Well, okay, it sort of is, but it's not only about that. 

When I first started watching K-dramas, I was so swept up in the magic of these extended romances that I didn't pay much attention to the power imbalance that is so pervasive in the K-drama world. People were being romantic, and as long as the women weren't total puppies, I was okay. Now that I have much more expansive experience with dramas, I have more room to recognize the best of the best K-drama relationships for what they are.

So what makes a power relationship? It's not just the romance. I have seen plenty of dramas filled with grand romantic gestures where I, as a viewer, was left wondering why these two even wanted to get together in the first place (Heirs, anyone?). While I love a swoony chaebol romance as much as the next person, I have to admit that some of the most powerful K-drama relationships focus less on the gigantic romantic hurdles between the couple and more on their non-romantic time together. Without a foundation for the relationship, what happens once the in-laws get out of the way or they recover from amnesia? Could they enjoy watching TV or grocery shopping together without all of the K-drama drama? 

To me, the best K-drama relationships involve an equal amount of give and take. This is why puppylike female leads drive me insane. Real relationships don't just involve one person hanging on until the other person gives in at the end of the series. Instead, we need enough time to believe that both characters are wholeheartedly invested in the relationship. For the record, this was my biggest beef with You're Beautiful. I wasn't ever fully convinced that he cared about her nearly as much as she cared for him.

Sometimes, I'm conflicted over K-drama chaebols who relentlessly pursue the women they desire. On the one hand, the feminist in me rages when I see an entitled man dragging a helpless woman around until she finally succumbs to him. On the other hand, when you set up a dynamic where the man is wealthy, charismatic, and powerful, while the woman is poor, unattractive (according to the show), and socially awkward, having the man develop feelings first is a way to offer some power to the female character. The ball is finally in her court, and it's ultimately her decision if she wants to proceed. It balances the relationship.

When a show's writers recognize that both characters can contribute equally to a relationship, it allows for a natural friendship between the characters that serves as a basis for their love. Some of my absolute favorite scenes in romantic dramas involve the two leads spending time together and becoming friends before a romance blossoms. If you aren't even friends with someone, why on earth should we believe that you're willing to give up your family company or your first love or one of your kidneys for that person?

Where does one find such balanced friendships? Here are a few of the more equal relationships in K-drama land:

1. History of a Salaryman

This is a prime example of how a focus away from romantic hurdles can actually build a stronger K-drama relationship. The main couple never kissed. THEY NEVER KISSED. And yet, when I think about the best relationships in dramaland, the relationship between Yoo Bang and Baek Yeo Chi was refreshingly balanced. What made this couple so fantastic is that, while they grew as people, they never stopped being themselves. We didn't get a Prime Minister and I scenario where the two leads started out with personalities that gradually deflated into tame, generic pleasantries by the end of the show. Instead, we got two very flawed characters who accepted and enjoyed each other for who they were. This couple didn't need to cry over each other with solitary tears because it didn't match their personalities. Instead, Baek Yeo Chi was swearing her face off until the very end of the show, and Yoo Bang was boisterous as ever. That's the kind of relationship you believe will last until they're old and grey. I'm only partway through My Love from Another Star, but it seems like it may be a similar dynamic with a female lead who doesn't lose her sass to love.

2. Sungkyunkwan Scandal

There's something about a gender bender that invites a balanced relationship. When you take physical appearance out of the equation, the male lead has no choice but to respect the female lead as a person if he's going to fall in love. Sungkyunkwan Scandal allows its female lead to act as the core of her male group, demonstrating her value in the relationship before the relationship even begins. Even the romantic parts blossom from their shared interests, like the love notes hidden in library books.

3. Coffee Prince

Coffee Prince was my very first K-drama, and when I initially watched it, I was constantly uneasy that the relationship would turn into a puppy-master disaster. After all, Han Kyul is clearly the one in control as the wealthy, handsome playboy who also happens to be Eun Chan's boss, and Eun Chan is pretty open about her feelings from the beginning of the series. I have to admit that Eun Chan's enthusiasm sometimes bordered on being puppylike for me (I know that Coco disagrees), but what ultimately saves this relationship is the deep friendship that precedes and underlies the entire romance. Han Kyul and Eun Chan are completely comfortable around each other, both as friends and later as lovers.

4. King 2 Hearts

The chemistry between the leads wasn't the best I have ever seen, but what I appreciated in this drama was the recognition of strengths and weaknesses on both sides. Kim Hang Ah can fend for herself and then some, which means that she has plenty to contribute to a relationship with a king. Because they first meet as colleagues in training, there are quite a few moments throughout the drama where these two enjoy their time together.

5. Protect the Boss

Both of these characters are quirky and odd. What makes them work so well is that they bring out the best in each other. Alone, they're both a bit lost. Together, they're much better than the sum of their parts. This is one example where the male character fell first, but it didn't turn into a feminist nightmare. Instead, the female lead gave him (and viewers) a lesson on sexual harassment and focused on building a lasting connection before even considering the possibility of love.

So far, You Are All Surrounded is giving me hope that it might be a drama with a strong central friendship. Sure, Dae Gu is still in the mean phase of the relationship, but both characters have strengths and weaknesses that complement each other well, and working together is generally a good premise for building deep friendships. Fingers crossed that it uses the potential well!

Maybe you've noticed that this list is short. You know what that means? It means that I want suggestions for balanced K-drama relationships. Anyone have favorites? (And if you say Boys over Flowers or Heirs, I will disregard your opinion forever. Don't take it personally, okay?)

The Queen of Kdrama Kiss Scenes: A Tribute to Yoon Eun Hye

Back in April, we wrote a post about the Best Kdrama Kiss Scenes and asked you to vote on your favorite. We decided to keep that poll open forever, but after 261 votes we believe that we have a pretty good representative sample of Kdrama fans, so we'd like to announce the winner. The clear winners of best Kdrama kiss scenes are Lie to Me at 25% and Coffee Prince at 23%! The main thing that these two dramas have in common is that the leading lady is played by Yoon Eun Hye. When you add in the extra 4% of votes she earned for the kiss scene in Goong, that means that Yoon Eun Hye managed to account for over half of the votes for best kiss scenes! I thereby deem her the Best Kisser in Kdrama Land.

Yoon Eun Hye is my personal favorite Korean actress, and this just confirmed to me a large part of why that is. As Vivi mentioned, she definitely returns the passion and does not leave the man to do all the work. She has the ability to create amazing chemistry with any Kdrama male actor she is paired with. When I watch her fall in love, I believe it, and I believe that the male lead has fallen hard for her too. She has played a wide variety of characters very convincingly and I always believe that she is truly feeling the character's emotions. So here's to the reigning Queen of Kdrama Passion, Yoon Eun Hye!

Who would you deem the King of Kdrama Kiss Scenes? What about the prince and princess? Comment below.

Guest Post at Viki: Kdrama Love Squares

Hey guys, the excellent streaming/news/everything kdrama(and every other kind of drama) website Viki asked us to do a guest post for them on their blog!  We were really honored that they even found our little blog over here, let alone that they let us work with them!  Thanks, Viki!

We are including the post here as well for anyone interested, but let's be honest:  You were going to  spend your Saturday streaming kdramas anyway, so you might as well check out our post on their website while you're at it!

Kdrama Love Squares: Keep 'Em or Cut 'Em?

Anyone who has watched more than one K-drama on Viki has probably figured out that the heart of every series is the “love square.” You would think that we would get tired of them after the amount we’ve seen, but they still get us every time – clichés and all. Let’s take a look at what we would keep or cut from the typical K-drama love square.

Female Lead

First up: K-drama female leads – love them or leave them? She’s the girl whose antics get her into all sorts of awkward situations. With two attractive rich men fighting over her, she’s also the luckiest girl in the world! Female leads are typically hardworking poor girls in desperate need of a makeover. They break down into either sassy girls who don’t let anyone mess with them, or girls who are downtrodden and overly accepting of nonsense.

One of the things that attracted us the most to K-dramas were the spunky, confident female characters, such as Sam Soon from My Name Is Kim Sam Soon. This type of female lead is an obvious keeper. But the dramas in which the female lead follows the male lead around like a puppy (Playful Kiss) are ones we might cut.

In their defense, downtrodden female leads are not all bad. It’s really satisfying to see someone go from frumpy and passive to beautiful and empowered, but only if the progress is extreme. For example, in Scent of a Woman, the female lead starts out painfully wimpy and homely, but by the third episode, BAM, she’s a total powerhouse. In spite of problems, we would keep her because deep down, most of us still feel like that awkward girl who hopes to become powerful and miraculously snatch the man of her dreams.

Male Lead

Male leads – at least they’re consistent. Ninety percent of the time, they are abnormally attractive, abnormally wealthy, and abnormally selfish and rude. However, by the end of the drama, they’ll end up with girls who are less attractive than they are, care less about their money, and become decent human beings with deep feelings. Although these male characters are in almost every single K-drama, we love them anyway. (Not to mention the brooding shower scenes!)

These male leads do come with their share of problems, though. Sometimes their version of a “decent human being” isn’t decent enough. Even though we don’t want to cross Boys Over Flowers fans, you can’t tell us that we’re the only ones who found Jun Pyo’s intensity just a little bit unsettling. Especially when he said things like, “I will encircle you forever so that you can never leave me.” There has to be some minimum standard for change.  For example, don’t beat someone’s faces to a pulp. Totally reasonable, right? 

Although they are ridiculous, overall we can’t help but say KEEP the traditional male lead trope.

Second Male Lead

Second male leads are easy to spot. They’re the handsome ones lurking (or stalking) in the background, doing thoughtful things for the female lead while she makes ugly crying faces over the rude man she loves. They’re the type of guys your dad wants you to marry.  

Second male leads occasionally end up with a terrible girl, but most of the time, they just end up brooding and sad. And for all of this brooding, they don’t even get shower scenes. Don’t they have to shower, too? Or maybe they don’t shower, and that’s why they lose the girl.

It’s this sadness that makes us dislike second male leads. And here’s why: we love them too much. We suffer from “second lead syndrome” on a regular basis (Flower Boy Next Door being the most recent example). So when the second male lead implies he will “never love again,” we get a little cranky. If you need to create jealousy in a drama, introduce an old love for a couple of episodes and then send the person on a business trip or have the person get hit by a car. It’s something that happens all of the time in dramas! Just cut these nice guys and give them a break.

Second Female Lead

The girl we all love to hate: the second female lead. Or, as it often happens, the first love who is often a raging monster in disguise.

What we would keep is the flexibility of the second female lead. Although most are monsters, some are kind, sisterly types who respond maturely to their jealousy. For example, Coco loves the second female lead in Coffee Prince. If she could, she would be best friends with her in real life. They would hang out at art galleries and eat brunch (because she’s too classy for lunch).

In reality, we have to recognize that sometimes second female leads literally kill people. In fact, we would rather have her be a horrible person and a murderer, rather than be tricked into liking some previously terrible person. But let’s face it: we fast forward through 90 percent of second female lead scenes anyway, so keeping them isn’t a big deal.

To sum up, we have pretty conflicted feelings about all of these characters. But conflict is at the core of K-dramas, which is why we adore them so much!

Kdramas in the Real World: Texts to a Bestie

When Coco wrote her post comparing her life to a k-drama, I started to wonder how I would react if her life suddenly turned into a kdrama.  Can you imagine the text conversations you would have if Geum Jan Di were your best friend?  I just did:

Which kdrama heroines do you wish would text you?  What would you say?

Fashion Face-off Friday: Korean Female Bowl Cuts, Who Wore it Best?

Results are in for our first Fashion Face-Off Friday: Crazy Man Hair poll, and it's a tie between Lee Min Ho in Boys Over Flowers and Jang Guen Suk in You Are Beautiful! Here is the conversation where ViVi and I discussed the close race. ViVi thought Lee Min Ho won.

Let this be a warning to you when texting your kdrama fangirl bestie that auto correct just does not get it.

For our second Fashion Face-Off Friday, where we celebrate bizarre kdrama styling choices, we examine female bowl cuts. Who ever said bowl cuts never look good on women? Everyone...except kdrama stylists. But let's be positive about this. Some leading ladies pull it off better than others and are a little easier to imagine as desirable to men.  Let's vote on, as far as bowl and extended bowl cuts go, who wore it best!

Competitor #1

Goo Jae Hee from To the Beautiful You is a female lead who got a bowl cut to try to pass as a boy. I find it hard to believe that anyone actually fell for it because she is still so pretty. Makes me jealous that she can be that pretty with a bowl cut. I would look absolutely ridiculous.

Photo Source

Competitor #2
While this might be considered more of an extended bowl cut, it is still a strong contender. I have to admit that I was really bothered by Jan Di's hair for the first half of Boys Over Flowers, but a combination of her hair growing out a little and me growing to love her more allowed me to look past it and even consider it kind of cute.

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Competitor #3 
Gil Ra Im sports a whispy, side-swept bowl cut. She is not trying to pass for a boy, but she might be sporting this look to fit into her male dominated field of stunt doubling for action films. She pulls it off in a sassy way.

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Competitor #4
It was never made clear whether Eun Chan from Coffee Prince cut her hair into a bowl cut to try to look androgynous, or if she just cut it that way to keep it out of her way as she worked one of her many physically taxing jobs to support her family. When I first started watching Coffee Prince I asked my friend who had already seen it whether her hair ever changes. I was so impatient for her to be pretty. She told me that it wouldn't happen until the last episode and I thought I would die. But gradually, just like Jan Di, I came to love Eun Chan so her hair didn't matter.

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So who pulled off the bowl cut best? These female leads all did their darndest in a difficult style situation and pulled it off way better than I ever could. Vote below now!

Best Bowl Cuts
	Goo Jae Hee
	Geum Jan Di
	Gil Ra Im
	Go Eun Chan
pollcode.com free polls